They both received open-ended sentences and their release depends on their current jail behavior. Garbus explains that she encountered the contradictions of Shanae and Megans girlhoods early on; she mentions that she was struck by [Shanaes] little girl-ness, her innocence, but this was complicated by what she learned about the violence of her crime. That is to say, Garbus sees crime and girlhood as opposite experiences. We wont be able to verify your ticket today, but its great to know for the future. We also met Megan, who, unlike Shanae, was not at the . Question: In the documentary "Girlhood, " the two main characters Shanae and Megan had two very different reintegration experiences after being placed in a detention center. Finally, she becomes distraught when her relationship with her mother ends. To think that one out of two might have straightened out her life, is not saying that the system works. She had lived in an environment that was full of disruption. 1103 Words. Create a free website or blog at WordPress.com. At one point she tells her parents that the girl she murdered actually has it easy because shes just dead whereas Shanae is suffering because she is in detention. Once Shanae begins to face the reality of what she did, she is transferred to a group home and begins to flourish. I dont think girls are really less aggressive than boys, nor do I think we should somehow pathologize aggressive and violent behaviour by girls but see it as a given among boys. http://sites.google.com/view/ehdwjwbxfu/linkedlist-member-modification-c, Your email address will not be published. In contrast to Shanaes successes, when out of Waxter, Megan soon runs away from her foster home with no consequences (despite the fact that staying in foster care is a requirement of her patrol), couch surfs for a while and eventually gets her own place with her cousin. . Documentary chronicling America's justice system. AQA Psychology: AS and A-level Year 1. When she grows older, it is clear that she is still affected by the feeling of neglect and she believes nobody is looking out for her interest (Garbus, 2003). Before starting the film girlhood, she actually meant to do a film about young men in juvenile detention centres because from her work on the film Angola, she was intrigued and disturbed by how many of the inmates there said they had learned the tricks of their trade from their experiences in juvenile detention. Humanizing those who have committed crimes especially children is a good thing to do, and certainly expands the viewers capacity to embrace complicated narratives and emotions. Even though she has been through the trauma of murdering another girl, it seems like the rape ordeal was the first trauma that led to the myriad of deviant behavior (Garbus, 2003). The title Girlhood splits in two on the opening credits, with "girl" and "hood" on separate lines. The documentary, indeed, treats girlhood as its subject a phase of life distinct from womanhood, childhood or any other experience. Megan's mother was a drug-addled prostitute, and after being placed in, and escaping from, nearly a dozen foster homes, Megan committed a violent crime. The Girlhood documentary highlights the plight of girls in juvenile centers with some psychological disorders. The protagonists are Shanae Owens and Megan Jensen. [ClickEssay Writerto order your essay]. After her release, 19-year-old Megan appeared on "The Oprah Winfrey Show" alongside another troubled teen, Shanae. Girlhood | Film Review | Spirituality & Practice Your email address will not be published. Shot on digital video and Super 8 film over the course of three years, "Girlhood" provides a partial account of what happened to Shanae and Megan under the state's alternately guarded and. I believe that you cant examine this increasing youth crime problem among girls without studying how the capitalist system effects social conditions. She perseveres through challenges in life. Required fields are marked *. Developmental Psychology: Childhood & Adolescence: Childhood and Adolescence. Her divorced mom moved to the suburbs to get her out of harms way but Shanae, though never arrested, still managed to find again the wrong friends and display bad conduct at home. A narrative feature based on the two subjects of Liz Garbus' 2003 documentary "Girlhood," young female inmates Shanae Watkins and Megan Stahl, is in the works. Often it's not enough. Because of the serious nature of her crime Shanae has been locked up for over two years and is anxious to go home when the film begins, but showing no remorse for her crime and acting like an obnoxious brat. Shanae and Megans story has reached a large audience and even caught the attention of talk show host Oprah Winfrey, however, many are critical of its overambitious attempts and lack of direction. Megan had given up, and even ended up back in jail. Megan admits to having a special relationship with a fellow inmate which seems to be of a romantic nature. Required fields are marked *, College Essay Examples | October 19, 2018. This confused young girl ran away from ten foster homes and wound up attacking another . Megan Jensen is doing very well in life. Liz Garbus's hard-headed documentary film ''Girlhood'' is prefaced with an unsettling statistic: in the last decade the number of violent assaults by under-age girls in this country has doubled. The early life trauma that these girls experienced impacted . Assignment #2 In class we viewed documentary titled Girlhood, the film surrounded two teenage girls named Megan and Shanae. The girls crimes obviously color their experiences of girlhood, but they are humanized by Garbus editorial choices through camera angles, the stories we hear, the presentation of various sympathetic or irresponsible adults that accessorize and control the girls lives. As Oprah questioned Megan about her current situation and plans for the future, the teen grew visibly agitated. The juvenile justice system serves her well, because she's deeply involved in forging her own path. "I'm happy now.". Why is Shanae in the juvenile facility? Mary Celeste Kearney writes that in approaching girlhood, sociological research, interestingly, often focused on female juvenile delinquency. In recent years, however, Girlhood Studies has grown to include and account for multiple narratives of girlhood, and actively attempts not to make girlhood inferior to womanhood, or take it less seriously. Similarly, she seems to suffer from ambivalent attachment because she is always distressed when she is unable to receive affirmations from her mother. The documentary "Girlhood" follows the lives of two girls, Shanae and Megan, from 1999-2002, during and shortly after their release from Waxter Juvenile Facility in Maryland. By Kate Durbin 07/14/2021. She had many problems communicating with her foster parents, and she ran away ten times before she had even been arrested for aggravated assault. That Ms. Garbus was able to get so close to her likable subjects and allow us to see that they are not quite the monsters we might perceive from reading the newspapers about such bad girls, is what makes this film so special. This film is not rated. airs Sundays at 9 p.m. Step-by-step explanation. This comment is echoed by Mr. Godsey, a staff at the facility, who states in the film that although the girls dont like structure they need it because they havent had it at home. "I decided to change some of my ways because I didn't want the system raising my child," she says. But while researching junvenile detention centres she met Shanae who suggested that she make a film about girls. At twelve years old Shanae was involved in a fight that ended with Shanae stabbing and killing a young girl. If the movie suggests that a strong mother-daughter bond is the key to a successful rehabilitation, it is too intelligent to belabor that notion. In the beginning, Shanae is not remorseful for committing murder (Garbus, 2003). After graduating from the Comosun College's journalism program, she went on to work at community newspapers throughout Atlantic Canada, before embarking on her freelancing journey. A lot of this seems due in part to her mother Antoinettes support. Shanae, on the other hand, received strong support and had to follow strict rules her 32-year-old diabetic mom insisted upon, so that when she was released to her home she had someone to lean on for support. While Shanae sublimates her anger and hurt and moves on with life, for Megan everything is right on the surface. Girlhood Directed by Liz Garbus A riveting documentary about two young offenders serving time in a Baltimore juvenile facility and their struggles over a three-year period to forge a new life for themselves against formidable odds. FILM REVIEW; A Documentary Illuminates Young Lives at the Crossroads of Redemption and Devastation, https://www.nytimes.com/2003/10/29/movies/film-review-documentary-illuminates-young-lives-crossroads-redemption.html. She is a very smart girl who rejoices when given a chance to move on to another facility and then return home to her father and mother. Sign in to rate and Watchlist for personalized recommendations. Unlike Megan, who ends up bitter, Shanae has a positive outlook that things will become better. 005BroylesDocumentary.docx - EDPY 303.005 Dr. Armstrong 08 The film then changes focus on Megan and her deteriorating relationship with her mother. Girlhood Directed by Liz Garbus Documentary, Crime Not Rated 1h 22m By Stephen Holden Oct. 29, 2003 Liz Garbus's hard-headed documentary film ''Girlhood'' is prefaced with an unsettling. The girls the film follows for three years are Shanae and Megan, as the film begins in 1999. Megan Jensen had a difficult childhood. FILM REVIEW; A Documentary Illuminates Young Lives at the Crossroads of Miriam Kruishoop ( Greencard Warriors) has signed on to write and direct Hood Girls, a narrative feature based on the life stories of the two subjects of Liz Garbus ' 2003 documentary Girlhood . Volatile, articulate and desperately needy, Megan seethes with bitterness at having been abandoned by her mother, Vernessa, a heroin addict and prostitute, who has spent many years in prison. Garbus remarks during her DVD commentarythat she was torn while making this film because her ultimate conclusion during her experience following these girls lives was that Family Matters. Sometimes, it is members of our own families that expose our children to drugs and alcohol, something I have often seen growing up in my own neighbourhood.
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